Why 21? Why not?
Andrew Dominik’s THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD
Sean Penn’s INTO THE WILD
David Fincher’s ZODIAC
David Cronenberg’s EASTERN PROMISES
Tony Gilroy’s MICHAEL CLAYTON
Peter Berg’s THE KINGDOM
Zack Snyder’s 300
Paul Greengrass’s THE BOURNE ULTIMATUM
Jimmy Mangold’s 3:10 TO YUMA
Michael Bay’s TRANSFORMERS
John Carney’s ONCE
Werner Herzog’s RESCUE DAWN
Judd Apatow’s KNOCKED UP
Paul Haggis’s IN THE VALLEY OF ELAH
James Gray’s WE OWN THE NIGHT
Gore Verbinski’s PIRATES OF THE CARIBBEAN: AT WORLD’S END
Billy Ray’s BREACH
Jake Kasdan’s THE TV SET
Michael Moore’s SICKO
Juan Carlos Fresnadillo’s 28 WEEKS LATER
Wes Anderson’s THE DARJEELING LIMITED
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1 comment:
Why not 69? 69 is always a good number
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